Tag: Southside Johnny (79)
Cover Me, Southside Johnny (and The Drifters!): Little Girl So Fine
Now here’s a recipe: Start with inspiration from Leiber and Staller, add lyrics by Bruce, music by Steve, and lead vocals by Southside Johnny. Ice with backing vocals by The Drifters, and you’ve got pure pop confection.
Cover Me, Southside Johnny and Ronnie Spector: You Mean So Much to Me
The story of “You Mean So Much to Me” continues beyond its last E Street stage appearance. Listen to the definitive cover by Southside Johnny and Ronnie Spector, plus Bruce and Ronnie’s unexpected 1977 team-up.
Cover Me: Hey, Good Lookin'
Bruce’s one and only cover of “Hey, Good Lookin'” was a bit of a hot mess, but that’s its charm. Take a listen inside.
Cover Me: Jambalaya (On the Bayou)
At an impromptu soundcheck-turned-preshow, Bruce, Southside, and friends play a loose, fun cover of a Hank Williams classic.
Roll of the Dice: All the Way Home
A tale of two versions of the same song. One ranks near the top of Bruce’s catalog, the other near the bottom. Find out which is which (and why) inside.
MatR: The Bruce Springsteen Band and Southside Johnny, Ain't That Peculiar
One time only: Southside Johnny fronts The Bruce Springsteen Band on Marvin Gaye’s Motown classic, but it’s David Sancious who steals the show.
MatR: Southside Johnny and Bruce Springsteen, I've Been Working Too Hard
Twice only: Bruce joins Southside Johnny on the Little Steven-penned 1991 rave-up, “I’ve Been Working Too Hard.”
MatR: Gary U.S. Bonds and Bruce Springsteen, Can't Teach an Old Dog New Tricks
Twenty-plus years after their last collaboration, Bruce joins Gary U.S. Bonds in the studio once more for “Can’t Teach an Old Dog New Tricks.”
MatR: The Asbury Park All-Star Revue, Some Things Just Don't Change
For a couple of nights in 1977, Steve was the front man and Bruce was the sidekick. Listen in on a highlight from those shows, a wonderful “cover” of Little Steven’s “Some Things Just Don’t Change.”
Roll of the Dice: Talk to Me
“Talk to Me” took a strange and winding path from the studio to vinyl to the E Street stage, but it’s guaranteed to make us laugh anytime Bruce pulls it out. But let’s not think too hard about the lyrics.